Alison Berry: most recent painting. She has been omitting some of the intensive detail of her previous work and "letting color and shape take over." |
She invents her topographies, creating a cartography of imagination. This painting has a beautiful color range...and look at the value structure! She is a beautiful composer. |
http://www.roberthenrycontemporary.com/artists
A wall of Alison Berry. I love the dynamism of her rectangles. |
The value structure of these works is built with full chroma-- so elegant. |
Small "painting-drawings" Hatton has developed to limber up for larger works. |
Another, small "painting-drawing," around 10 x 12 as a guess for size. My favorite 'sketch,' for its abandon and mark, in which the brush stops and pivots. |
A knockout big painting--loose, free, full of energy, as if Cezanne and Marsden Hartley had collaborated. |
In the studio, a sense of scale. |
Picasso, Night Fishing at Antibes, 1939, oil on canvas. Collection MoMA. 6 feet 9 inches x 11 feet 4 inches |
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