 |
| Molly Herman at the Painting Center |
 |
| Stacked marks, compiled on burlap and other textured surfaces |
 |
| Detail of first painting |
 |
| Layers upon layers |
 |
| Seemingly simple, ... |
 |
| and not. Paint crossing surfaces. |
 |
| Ida Ekblad at Greene Naftali |
 |
| "A technogenesis of the in-human, the non-human, the post-human." |
 |
| "A wash that is more like a burnout." Born Oslo, Norway, 1980. Also makes weird, Greer Lankton-esque sculpture. |
 |
| Roy Dowell at Lennon, Weinberg |
 |
| Transparency appears like light in the middle of dense, American Indian-influenced patterns |
 |
| He works from collages and is known for these, but in this show, branches out into sculptural objects and paintings |
 |
| The green on this is a deep, emerald green, not possible to capture |
 |
| Close view |
 |
| Dowell was one of my teachers at Otis/Parsons (undergraduate). It is wonderful to see his work. |
 |
| Ann Shostrom at Elizabeth Harris |
 |
| Photo of this in entirety did not load, so detail of what looks like an overskirt and petticoat beneath |
 |
| Foundations in abstract painting and 1960s garb, such as "Cher pants"--anyone remember those? |
 |
| A Utopian, craft-based, hippy aesthetic infiltrates modernist ideals |
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.