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| Love this big scale and episodic format. |
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| Free and easy brushwork. This feels so germane in Asia--much more so than in New York. It captivates. |
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| Beautiful structure in the landscape. |
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| Black and dilute ink, interwoven together. |
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| So light and delicate--look at both sides of each tree |
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| Almost kitsch in its simplicity. Funny, too. |
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| The Four Gentlemen and more... |
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| Kou le stroke with chrysanthemum leaf application |
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| On these chrysanthemums note the variation in ink: black and dry, dilute |
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| Orchid--almost wipes out on the blossom but the leaves are so free it is balanced |
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| Plum--great control |
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| The beautiful big rock with 2 birds |
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| Hanren |
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| Add caption |
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| One of the Eight Eccentrics of Shanghai--these painters are the most interesting |
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| Color to ink |
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| Light to dark |
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| Bamboo |
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| Plum - takes a lot of work to pull this off |
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| Sweet nights cape, sky stained from back |
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| Stylized weirdness and a lovely limpid green tint throughout |
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| At first, passed it up |
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| But then this got me. Reminds me of Morris Graves. |





























































Beautiful. Email me connections to Shanghai, world traveler. I want to go there.
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