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| Picabia's lyrical and light ink work at MoMA. MoMA Link |
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| Early paintings, with interior illumination, geometry and collaged space. |
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| These works are early, between 1904-1914 |
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| We jump to post war overlays, that fluctuate and reverberate in ways that are easy for us now but then? Radical. |
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| Drawn to his work on paper especially, a lightness and layering he calls "transparencies" |
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| Such awkwardness in these works, yet |
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| also a wonderful thickness, a surface presence |
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| Picabia's last painting. |
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| A lovely Basquiat blocked by a group practicing dance moves... |
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| Faith Ringgold |
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| The Whitney's 80s show, Fast Forward. A gem on the sixth floor. Whitney Link |
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| Julia Wachtel |
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| So great to see Kathe Burkhardt, who'd lived next door to me in LA on Wall St. |
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| Ross Bleckner memorial painting: Count No Count, 1989 |
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| Varnish 80s style |
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| For me the seminal 80s painting by Terry Winters: undergraduate school aspiration... |
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| Martin Wong's painting looks great here |
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| Haring, Basquiat |
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| George Condo |
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| Condo, detail |
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| Kenny Scharf on Haring wall painting |
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| Early Wool, so tactile |
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| Wool, Detail |
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| Terry Winters, Good Government - farewell, 1980s! |
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