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| Carol Saft at Lesley Heller Project Space. Gallery Link Bronzes of people assisting each other in a spare, but elegant installation. |
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| Dawn Clements at Pierogi. Gallery Link |
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| The recently deceased artist renders detailed and acute observations of daily life. with ballpoint pen, stickers, watercolor and delicious layered papers. |
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| Strauss-Bourque Lafrance at Rachel Uffner. Gallery Link |
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| Collaged paintings |
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| Rachel Granofsky in Househunting upstairs at Uffner. Gallery Link Hand-painted props photographed but not touched up. This work recalls Patricia Fabrican'ts woven paper paintings. |
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| Bruce Naumann, Disappearing Acts at MoMA. Museum Link |
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| The pure scale of this large, but not as large as construction projects around the city, installation felt surprising and expansive, humanized by its hand-made properties. |
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| Julian Jackson at 490 Atlantic. Artist Site |
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| Surprisingly hard to photograph, the paintings instill a sense of calm despite their optical oscillations. |
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| In the back room at 490, Jim Edwards, who also runs the space. |
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| Also hard to photograph, and the Naples Yellow is an intriguing addition to the palette. |
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| Jeanne Silverthorne in the group exhibition They're Made Out of Meat, curated by Jennifer Coates at Elizabeth Hazan's studio (now closed). Two Coats of Paint Preview |
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| Didier William |
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| Andrew Ross |
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| Jenny Dubnau |
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| The full painting |
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| Randy Wray |
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| Installation view |
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| Jim Strong |
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| David Dupuis |
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| Jennifer Sirey |
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| Dana Gordon's retrospective at Westbeth, closing this weekend. Gallery Site |
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| This exuberant show moves through many phases of work, all painted with gusto and brimming with visual ideas. |
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| Simon Evans TM at James Cohan Grand St.Gallery Link |
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| Words that bite and surprise you, secluded in textural fields. |
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