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| Cover: Duffy and Celia Philo/Duffy Design Concepts |
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| Breughel |
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| Stones 1972 Tour |
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| Santa Monica Pier |
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| Matterhorn |
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| Orange web fencing |
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| Rockwell Kent |
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| Rockwell Kent |
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| Shen Zhou - scroll at the Met last fall was like a film! |
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| Alan Bates, Jill Clayburgh and Paul Jenkins painting: Unmarried Woman |
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| Brian Ward, photography; Terry Pastor of Main Artery, Design |
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| Wang Meng |
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| Jules Olitski |
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| Jamison Brosseau, from Go Figure, curated by Eddie Martinez, at Dodge Gallery (linked above) |
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| Jackie Saccoccio and Andrew Gbur at 11 Rivington |
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| Saccoccio |
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| Eva Lundsager at Greenberg Van Doren, uptown |
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| Let me know who this is: from Go Figure, curated by Eddie Martinez |
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| Allison Schulnik, from Go Figure, Dodge Gallery |
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| Joel Dugan, from Centotto, Bushwick |
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| Lisa Yuskavage - thesis painting for the current show at Zwirner |
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| To the right of the small painting, a lone figure contre jour, though the time is sunset |
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| Detail, left of mound - light brushwork, as if watercolor |
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| Triptych: theme of doubling arises |
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| Triptych: right two panels. Transfer of early shrink imagery into a community of observers. |
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| Doubling again, using pyrotechnic flowers to shift from pictorial to symbolic space, then back. |
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| On 20th St., Nick Cave at Jack Shainman with another kind of body permutation... |
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These join bodies together and also separate them from other bodies.
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| Irvin Morazan, detail of shrine figure at Asya Geisberg |
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| Morazan: another view (read more about the show at link above) |
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| Irvin Morazan from the exhibition Salvajes at Asya Geisberg |
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| Karen Heagle at I-20 |
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| Heagle |
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| Heagle, after Chardin. At once blunt, and affable. Heagle's use of red is a standout. |
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| Nicola Tyson at Petzel |
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| Nicola Tyson at Petzel Broad, loaded brush strokes--brilliant emerald greens that don't translate on camera. Love the rooster figure on right. |
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| Molly Zuckerman-Hartung at Anna Kustera. Another kind of body, if you will--the corpse of stain painting? |
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| Zuckerman-Hartung |
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| Zuckerman-Hartung at Anna Kustera |
