Reed Anderson at Pierogi. Gallery Link |
The press release speaks of flags, sports logos and Peter Halley's studio, but the notion of over and under prevails. |
The hanging banners more a way to view space through layers, much like the paintings themselves. |
At Brennan and Griffin, LA painter Pamela Jorden, new to me : Artist website |
A beautiful Steve di Beneditto from 2015. |
Bill Saylor from 2016. |
Tracy Thomason, updating Auerbach's use of white as a color within saturated fields, not to mention wonderful textures, touch. |
And a fine Louise Fishman work on paper from 1973, beautiful! Gallery Link |
Doron Langberg at 1969 Gallery. This painting is a knockout. Gallery Link |
A few of the moves. |
Lovely portrait for a larger painting. Such a pleasurable fusion of techniques! |
The sweater. |
The hair! |
A favorite from Jennifer Coates' exhibition at Freight & Volume. Gallery Link |
A beautiful big painting holding multiple perspectives. The branch forms hark back to late Paul Klee, petroglyphs and oracle bone scripts in a way that feels just right. |
Earlier in the evolution, I suspect. The markings really beautiful. |
In the back a suite of pencil drawings, long a strength and foundation in Coates' work. |
The landscapes fuse the earlier foodstuffs and sparkles from early 'aughts with new maturity. |
Steve di Beneditto. Gallery Link |
He too, returning to an archaic sensibility. It's in the air. This painting is one of the most beautiful paintings I've ever seen. |
And others... |
The color, flayed surfaces and worked, yet also spontaneous construction is rewarding. |
Teri Hackett. Gallery Link |
Spatial over and under, earth mixed with pigment, sanded and built surfaces, ... |
Cracks, textures, additions (these are small paintings in the back) |