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| Teri Hackett from 2001 |
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| Another from the early aughts |
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| The new work, taking the materiality of the surface to the support |
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| Francie Bishop Good's post-Comus paintings, moving toward the abstraction of her ceramic work |
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| Jennifer Coates at Sharpe-Walentas |
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| Textural displacement! |
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| A little one |
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| Allison Gildersleeve at Sharpe-Walentas |
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| I think, Lumin Wakoa at Sharpe Walentas |
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| Sun You at Sharpe-Walentas |
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| Etty Yaniv, worlds within worlds. This small painting is a thesis for her oeuvre. |
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| Neo Rausch drawings in a beautiful survey at The Drawing Center. Drawing Center link |
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| The show is called From the Floor, referring to Rausch throwing his ideas, via drawing, to the floor for his assistant to pick up, presumably so he can retain the immersed state of creation. |
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| Along with groups of drawings (categorized by the curator Brett Littman into characters, or epic landscapes, and so on) are large oil works on paper. The works and the install are gorgeous. |
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| Two gorgeous paintings on paper in the back room. It is said Rausch paints from the lower right corner to the top left. |
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| From ink to oil: LA-based painter Lesley Vance in her first exhibition at Bortolami. Gallery Link |
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| Detail. These works in their intense perfection remind me of Tomma Abst. |
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| Upstairs at Straus you will find Folkert de Jong's figurative sculpture. Gallery Link |
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| The placement of this boxer was quite beautiful in the high-ceilinged room. |
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| An amalgam of textures, castings and castoffs. |
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| Mixed from elixirs and potions, the artist's transformational tools. |
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| First floor at Straus, Dallas-based Otis Jones, showing new works from 2019 with work from the 1990s. |
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| Early. 1990s |
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| 1992 |
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| 2019 |
