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| Beautiful rainy late afternoon on the LES (August 9th)--the whole street looked green |
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| Susanna Coffey at Summer Session, Steven Harvey Fine Arts Projects |
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| Color in its infinite gradations moving across the plane, building form |
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| Gideon Bok's Electric Landlady from 2007 |
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| Bravura with linseed - slithery slapping brushstrokes |
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| Figures assemble from marks and swipes |
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| Lauren Luloff, detail - playfulness into beauty |
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| Sagram Majumdar - shades of Euan Uglow |
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| Gandie Brodie - picking up the neutral tones and textures in Coffey's portrait |
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| Darker, more swiped |
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| Lester Johnson with intruding reflection--such satisfying scale, abandoned touch--in a good way |
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| Katherine Bradford, a tableau of marks that become space |
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| Anne Harvey, a lovely, limpid cross between '80s Jennifer Bartlett and Milton Avery |
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| At Lehman Maupin, 201 Chrystie, Mary Corse |
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| As a student at UCLA I visited her Topanga Cyn., CA studio...and never forgot her use of reflective paint (glass microspheres in acrylic) |
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| These still excite me. There were a lot of striped paintings in the '70s but these stand out. |
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| Their scale, material and subtlety are beautiful. |





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