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| A page from a large book, which includes foldout works, single page works, as many varieties as you can imagine. |
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| Fresh, clear color in surprising overlays, even blooms on the margins |
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| The book page, seen in context (on Painting Critical, Maine speaks about working manically on these books) |
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| Surprising, simultaneous contrast...the thinnest wash (or what resembles a wash--these are sprayed) of blue, with stamped ("cave man printed") orange on top |
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| It's a good time to see these paintings, with Polke's hand-painted Rasterbilder at MoMA at hand an alternative way of working. |
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| Canvas stretched over panel, sprayed first coat, stamping follows. |
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| Pickup shot of the two paintings with the wash-like first layers, followed by the stamped top layer. |
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