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| The first of two parts, a series of portraits, so-called for their large internal scale, central positioning and absence/presence |
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| A favorite |
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| Another favorite--amazing effects with oil and mica |
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| I relate to this re: nightclub paintings, and love it. Very viscous, oozy in the mars violet parts. |
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| Back room at 195 Chrystie |
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| When Saccoccio was in residence at Giverny, she worked out a system of moving through space inspired by rock-like marks--which, in tandem with the pours, creates a world of movement |
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| Large works, probably 8 x 6 or more |
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| Back of front room, 195 Chrystie. Dive in. |
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