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| Fred Tomaselli, Detail of new panel painting at James Cohan |
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| The full image |
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| Still working with aggregation, without the psychedelia of yore |
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| The commentary focuses on the increasingly synthetic natural landscape |
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| A curious transition, not without precedent in the previous work. |
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| Michele Basora at Gitana Rosa, playing soft, bleeding watercolors against hard ink line. |
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| Early modernism, decorative pattern and aggregation of marks in works on paper or on panel. |
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| Gallery view |
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| One of my favorites, a tea party |
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| Eric Den Breejen at Freight + Volume (from Liza--scroll to bottom for full image) |
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| Strange and beautiful color mixes with meditative application generates portraits from each artist's lyrics, essays and performances. |
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| Detail |
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| Marilla Palmer at Katherine Markel combining paint and natural forms |
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| Sometimes in the round |
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| Other times on paper, as in this lovely work |
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| Den Breejen's Liza, where white is used as color to great surprise |
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