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| Liu Dan: Taihu Rock of the Liuyuan Garden, 2019, ink on xuan, @ 84 x 54 inches, at J.J. Lally and Co. for Asia Week. Gallery Link | 
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| Zeng Xiaojun: Poetic Pattern of Song Ware II, 2018, ink and color on paper, @ 81 x 81 inches. | 
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| Xu Lei: Interact Trees, 2018, ink on xuan, @ 25 x 82 inches. The title refers to recprocity, interlocking and naturally defining, according to the catalog. Xu exhibited at Marlborough Gallery in 2018. Gallery Link | 
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| Upstairs, some 18th century paintings on silk. | 
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| A Buddhist painting from the 17th Century. | 
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| And a Statue Robe, from 1864. Don't know what this means precisely, but quick research into robes suggests there were many to suit seasons, rank, and standing. | 
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| How I wish I got to see more, and how exciting it was to see this scroll with goats--suggested to a collector as a wonderful holiday gift. | 
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| Shi'Tao, Returning Home, 1695, at the Met. | 
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| Welcome to Epic Abstraction: Kazuo Shiraga, Untitled, 1958.Museum Link | 
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| Isamo Noguchi's Kouros | 
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| Early Rothko! | 
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| Early Rothko! | 
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| Mark Rothko | 
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| Chakia Booker | 
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| Inoue Yuichi's Cold Mountain calligraphy, 1966 | 
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| Judit Reigl's Guano, from 1959-1964 | 
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| And the wondrous Louise Nevelson installation, called Ms. N's Palace, around 1958! | 
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| Helen Frankenthaler, 1957, Western Dream. | 
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| Alma Thomas, a work so rich the photo cannot do it justice. | 
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| Joan Snyder, a beautiful work from the 1980s | 
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| The great Joan Mitchell, La Vie en Rose, 1979. | 
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| Frank Bowling's Night Journey (1969-ish) | 














 
 
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