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| Armita Raafat's Untitled, 2016 Patterned metal, plastic and mirror |
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| A stacked, unruly landscape from muqarnas, Islamic architectural elements, with mirror, metal and pigment. |
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| There is a dirty glamor to this work, that addresses geopolitics and more personal associations. |
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| Entering the space, l to r: Maria Hupfield's draped felt, Shanti Grumbine's rescrambled and acid-washed New York Times and folded textiles from NYT delivery plastic. |
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| Further right, Samantha Holmes' Islamic and physics-inspired patterns cast in metal compliment and forecast works to come... |
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| Glendalys Medina's Black Alphabet series B, from refashioned Latin letters borrowing elements from boomboxes and graffiti. |
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| Glenn Fischer's shiny collages of used print materials, from magazines to album covers. |
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| Ryan Turley's Moving Blanket... |
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| Christine Wong Yap surveyed artists in her mileu about the benefits of art practice and fashioned these maps from their responses. |
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| Martyna Szczesna's Array I, created from LED light shadows repeatedly until creating a pattern |
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| The hypnotic Rothko-like video projection by Mitch Paster, capturing digital imagery on film. |
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| Tatiana Istomina's gridded narratives that balance passion and restraint. |
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| Shanti Grumbine |
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| Gallery link The exploration of geometry as a formal device to ground us and the love of quotidian material is evident throughout this exhibition, illuminating the concerns of a new generation. |
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