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| Reed Anderson at Pierogi. Gallery Link |
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| The press release speaks of flags, sports logos and Peter Halley's studio, but the notion of over and under prevails. |
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| The hanging banners more a way to view space through layers, much like the paintings themselves. |
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| At Brennan and Griffin, LA painter Pamela Jorden, new to me : Artist website |
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| A beautiful Steve di Beneditto from 2015. |
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| Bill Saylor from 2016. |
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| Tracy Thomason, updating Auerbach's use of white as a color within saturated fields, not to mention wonderful textures, touch. |
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| And a fine Louise Fishman work on paper from 1973, beautiful! Gallery Link |
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| Doron Langberg at 1969 Gallery. This painting is a knockout. Gallery Link |
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| A few of the moves. |
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| Lovely portrait for a larger painting. Such a pleasurable fusion of techniques! |
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| The sweater. |
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| The hair! |
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| A favorite from Jennifer Coates' exhibition at Freight & Volume. Gallery Link |
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| A beautiful big painting holding multiple perspectives. The branch forms hark back to late Paul Klee, petroglyphs and oracle bone scripts in a way that feels just right. |
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| Earlier in the evolution, I suspect. The markings really beautiful. |
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| In the back a suite of pencil drawings, long a strength and foundation in Coates' work. |
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| The landscapes fuse the earlier foodstuffs and sparkles from early 'aughts with new maturity. |
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| Steve di Beneditto. Gallery Link |
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| He too, returning to an archaic sensibility. It's in the air. This painting is one of the most beautiful paintings I've ever seen. |
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| And others... |
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| The color, flayed surfaces and worked, yet also spontaneous construction is rewarding. |
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| Teri Hackett. Gallery Link |
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| Spatial over and under, earth mixed with pigment, sanded and built surfaces, ... |
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| Cracks, textures, additions (these are small paintings in the back) |











































