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| The Language of Painting (Katherine Daniels on left, Carol Salmanson right) at Lesley Heller Workspace, back room, Fran Siegel with large, idiosyncratic paper works in front |
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| Joan Grubin |
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| Vicky DaSilva, Martha Clippinger, Doreen McCarthy |
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| Clippinger's work reminds me of Cordy Ryman a little. Salmanson's exhibition premise is the co-optation of formal painting language (line, color, shape) by new technologies, from material to color. |
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| Gelah Penn |
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| Carol Salmanson |
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| Artist-Curator Carol Salmanson, her work on left, Lynn Harlow's right |
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| Several blocks over on Broome near Bowery at the new Nichelle Beauchene: Kristin Moran, my favorite one. It's smaller, and the work feels just right at this scale: pyrotechnic, like Fragonard. |
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| Her strange, elegant paintings do not look process driven. |
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| This is bravura painting, in which marks act as forms. |
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| Almost like Manet, or Boldini--spaces seen in paintings that remain undefined. |
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| Upstairs at Jack Hanley in a new 2 story loft building, 5 painters, who include Matthew Fischer. His work was also in a summer show at Brian Morris...change from flat surfaces and trompe l'oeil detail, but in some way all that is incorporated into the new mode of textural paint |
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| Ariel Dill. Love the marked up stuff inside the green swoosh. |
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| Ariel Dill's paintings have lots of air and space |
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| Everything about this Heidi Han is wonderful, both fully considered and insouciant. |
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| Han again |
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| Tisch Abelow, two of four--a little like Amanda Church, Stuart Davis...beautiful color. |
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| Heidi Han |
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| Mathew Fischer |
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