 |
Paintings by Chip Hughes at Kerry Schuss, 34 Orchard St. |
 |
Color, knit together |
 |
in an analague palette |
 |
and complementary palette... |
 |
Filled to the brim with a chromatic weave |
 |
and compositions that combine Steve di Beneditto with Suzan Frecon |
 |
Color inside of color |
 |
We finish with a monochrome |
 |
At the new Monya Rowe at 34 Orchard: Jake Longstreth |
 |
and Larissa Bates |
 |
and a beautiful, painterly Angela Dufresne |
 |
At Lesley Heller, 54 Orchard St., Ron Gorchov |
 |
Handmade paper, thick, almost free-standing |
 |
Impacting touch |
 |
Forcing the issue |
 |
Installation of Gorchov. Artist Sarah Sosnowy and friend enter left. |
 |
Across the street, Reed Danziger at Valerie McKenzie |
 |
An exhibition of works on paper that combine scientific symbols and abstract marks |
 |
Holy Toledo! Oscar de Las Flores at a slam-dunk two-person at Mulherin and Pollard. |
 |
Not since Hogarth! |
 |
Lots going on, mostly in ink, and really well done. |
 |
Alongside, an equally elegant exhibition by recent Prix de Rome Fellowship Recipient Carl D'Alvia |
 |
Guston to the core--the influence wholly digested |
 |
and recalibrated to suit D'Alvia's concerns |
 |
Politics, yes, as well as male identity... |
 |
Its desires (here, a floor piece) |
 |
and entanglements |
 |
Tricky Dick by Carl D'Alvia |
 |
At the new Horton Gallery in the old Canada space: Minnesota wood carver Aaron Spangler |
 |
Jenny Dubnau, thanks for telling me about this show! |
 |
Pine woods. |
 |
With the most gorgeous free-standing...sculpture? Monument? |
 |
Aaron Spangler |
 |
Details |
 |
The show will lower your heart rate by at least 20 beats...it is calming, lovely |
|
| . |
Shows still on the list:
Rachel Beach at Blackston
Katherine Bradford at Steven Harvey Fine Art Projects
Ashley Bickerton at Lehmann Maupin
Cary Liebowitz at Invisible Exports
in Bushwick: Storefront Bushwick's grand finale, curated by Todd Levin:
Jim Nutt, Jennifer Wynne Reeves, and Donald Roller Wilson
in W'burg: Amy Hill, the Age of Delightenment at The Front Room, 147 Roebling
No comments:
Post a Comment