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| Molly Herman at the Painting Center |
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| Stacked marks, compiled on burlap and other textured surfaces |
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| Detail of first painting |
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| Layers upon layers |
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| Seemingly simple, ... |
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| and not. Paint crossing surfaces. |
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| Ida Ekblad at Greene Naftali |
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| "A technogenesis of the in-human, the non-human, the post-human." |
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| "A wash that is more like a burnout." Born Oslo, Norway, 1980. Also makes weird, Greer Lankton-esque sculpture. |
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| Roy Dowell at Lennon, Weinberg |
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| Transparency appears like light in the middle of dense, American Indian-influenced patterns |
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| He works from collages and is known for these, but in this show, branches out into sculptural objects and paintings |
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| The green on this is a deep, emerald green, not possible to capture |
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| Close view |
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| Dowell was one of my teachers at Otis/Parsons (undergraduate). It is wonderful to see his work. |
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| Ann Shostrom at Elizabeth Harris |
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| Photo of this in entirety did not load, so detail of what looks like an overskirt and petticoat beneath |
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| Foundations in abstract painting and 1960s garb, such as "Cher pants"--anyone remember those? |
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| A Utopian, craft-based, hippy aesthetic infiltrates modernist ideals |
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