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| A portrait, which neutral colors and elongated composition compel the eye. |
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| Prussian blue, ochres, venetian reds |
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| Swipes of the brush, flicks of the end, in unceasing movement of eye and mind |
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| Portrait, in which warm tones at the bottom of the face seemed almost pulled over the cool, like a mask |
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| Not as apparent in the detail but lovely nonetheless |
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| Close view of final image on this post, forms within forms |
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| One of several stacked landscapes |
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| Form within form, the sheer physicality of material |
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| A Chardin-like study |
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